Tracey Thorn on Bronski Beat's "Smalltown Boy"

You might remember that earlier this month I raved about Tracey Thorn's new CD, "Out of the Woods." Well, when I found out arjanwrites was requesting fan questions to pose to Ms. Thorn, I just had to sumbmit my a question of my own and, lo and behold, it's been asked! Better yet, it's been anwered!

From arjanwrites (my q in orange):

Questions from Andres, Brian and Gabriel: Even if "A-Z" does not necessarily have an overt gay theme, some of the lyrics do have some resonance in comparison to Bronski Beat's "Smalltown Boy." Did you see "A-Z" as mirroring that seminal '80's song? What was the inspiration for that song and what are your feelings about gay rights in general. How do you feel about the gay community embracing you?

Tracey Thorn: "A-Z" was inspired by, and is in part an act of homage to the great "Smalltown Boy" (as an interesting footnote to my answer above, when i first heard Jimmy Somerville, i thought he was a woman, so there you go). I read an article in the paper about bullying of gay teenagers in schools, and how prevalent it is, and how it is a leading cause of teenage suicide, which is sad and dispiriting. It makes me feel enormous sympathy and warmth towards anyone who has the misfortune to be any kind of outsider at school. Kids can be such lumpen idiots.

I've always been kind of embraced by the gay community and I am very proud to be so - I feel very welcomed and understood by gay fans, in a way that i sometimes don't feel understood by the more heterosexually-oriented-male-dominated rock community, for instance. It s a cliche in some ways, but it is about a basic and shared understanding that Dusty Springfield is more important than Bobby Gillespie.

For the full Q&A: Part 1 here and Part 2 here.

Next up on Arjan's "Ask the Artist" series: Andy Bell of Erasure, ask your questions now.

By the way, congrats to arjanwrites on his profile in The Advocate.

Musica: 4hero, Tracey Thorn, Karizma - It's All Good

I previewed these albums earlier this year (with all sorts of lovey-dovey links and whatnots here) so now that they're out, are they any good?

4hero: Lush in all the right places, moving in its grandeur and up to par with their best work, "Play with the Changes" continues 4hero's exploration of earthly sensual grooves and warm orchestral compositions. Opening track "Morning Child" was the first single, now followed up by the anti-war protest song "The Awakening" featuring poet Ursula Rucker. The album sounds like running through grass with bare feet on a warm summer day, a flower stuck behind your ear and wind running through whatever's left of your hair. Love me some syncopated rhythms of "Sink or Swim (No Choice for Me)," the sensual break up song "Give In," and the sultry "Bed of Roses" with Jody Watley (previously featured on her sub par album "The Makeover"). Still, all those superlatives and I have to confess that the CD has not been on my high rotation list. I believe I-Tunes also have additional tracks on their album download which sucks for some of us who still buy CD's. Additional info on 4hero's MySpace page.

Tracey Thorn: To be sincere, aside from a great Martin Buttrick re-rub of lead single "It's All True," when the song was released in advance of the proper album it left me cold (ingenious video here) and made me think that Thorn's "Out of the Woods" would be a dud. A promised remake of the Pet Shop Boys "King's Cross" was left off the album and the supposed gay content of "A - Z" is not necessarily overt despite the obvious lyrical nods to Bronski Beat's "Smalltown Boy." Turns out it doesn't matter: The album is amazing!

It's so great to hear Tracey's voice once again. There is a great webiste in support of the album and, of course, a MySpace page where the highlight is Ms. Thorn's lovely (and often very funny) blog (which is how I know that Arjanwrites has an exclusive interview coming up on his blog).

Some have complained that the album doesn't break new ground but I beg to differ (what did they want, Tracey Thorn sings the Britney Spears catalogue?). Sometimes during her vocalist years for Everything But the Girl her voice seemed at the mercy of Ben Watt's musical explorations but - while there are some echoes of past EBTG work - she definitely seems in full control of the new album's semi-retro concept, the themes and the choice of collaborators.

Rightly, the Village Voice calls it "Sublimely nonchalant electro-pop majesty." Standout tracks: "Easy," the glittering "Falling off a log," "Grand Canyon" and the gorgeous "By Picadilly Station I Sat Down and Wept."

Karizma: I was pretty stunned when I walked into Virgin Records this week and found a single copy of "A Mind of Its Own." I've been trumpeting Baltimore's Kris Klayton ever since I saw him spin at Li'l Ray's annual Brooklyn Clubhouse Jamboree back in September not being aware then that, along with DJ Spen, he'd been part of The Basement Boys (the legendary house music producing team behind some of Crystal Water's early tracks, among others). Still, the launch of Karizma's first album seemed to be a low key push by most sings which is why I was so shocked Virgin even had a copy. I quickly snatched it up and now it won't leave my stereo or my headphones.

Sure, it probably won't be to everyone's taste, the least of it being that these are mostly instrumental dance tracks. They also don't necessarily have the production shine of the Tracey Thorn or 4hero albums but, in some ways, that in itself opens it up to try new rhythm textures and moods which truly opens the album up as the sound of the future of dance (along the lines of Dennis Ferrer's recently released masterpiece "The World As I See It").

If the annoying word of the year is "pitchy," I hope you won't be annoyed by the characterization of this new sound as "techy." Then again, Karizma himself names two of the tracks "Tech This Out, Pt. 2" and "All Teched Out."

The one mistep, "K.O.N.G.," is nearly unlisteneable. But the rest more than makes up for it and, as a bonus, CD buyers also get a code to download two additional Karizma tracks off the r2 records online page. I love, love, love this CD. Wanna know more? Check out Karizma's MySpace page or r2 records MySpace page. Stand out tracks: "T W Y St This" and the thirteen minute "The Damn Thing."

In New York, Karizma will make a special appearance at APT on April 17th and return for a headliner gig also at APT on May 10th.

Musica: House music all spring long

It has been building for a while but it seems to have happened. Good ol' funky heavenly melodic soulful disco music is back in a big way and a few new key releases are eading the way.

4hero: The best might come first! "Play with the Changes" is out next week in the UK. From the couple of songs I've heard, it is yet another stunner. Some will be disappointed that their old drum'n'bass roots have mostly gone by the wayside but the new album, their first in six years, seems to deepen their ongoing exploration of the golden age of 70's soul. For the record, I still can't listen to their remake of Minnie Riperton's "Les Fleur" without getting goosebumps! Let's hope they tour the United States down the line. Past hightlights: "Escape That," "Loveless," "Star Chasers"

Tracey Thorn: While Ben Watt has struck gold with his Buzzin' Fly imprint and on the DJ circuit, his Everything But the Girl partner-in-crime Tracey Thorn resurfaces with her first solo album ever (titled "Out in the Woods" and out in March on Astralwerks in the US) after mostly gracing other bands' singles with her magnificent voice. First single "It's All True" looks back at the mid-80's NY house sound (with an amazing Martin Buttrich mix making the rounds). There is also a song about gay kids getting bullied in school called "A to Z" and a remake of the Pet Shop Boys "King's Cross" which should keep the gay press happy. Past highlights: Massive Attack's "Protection," "Five Fanthoms," "Before Today (Live)," "Walking Wounded," Deep Dish's "Future of the Future," "Rollercoaster," "Driving"

Quentin Harris: Bringing the Detroit sound into the 21st century, out DJ/producer/remixer of the moment Quentin Harris (pictured above) has already released his "No Politics" CD in Japan (not sure if and when it will be released states side). "Who?" you say? Well, he's remixed Mariah and Beyonice already, among others, and has a banging new mix/unmixed compilation of some of his productions inaugurating a new NRK records series called "Coast2Coast." He also has a bonafide classic or two under his belt ("Let's Be Young" among them) but the future seems wide open. For one thing he's got the amazing (and out) Joi Cardwell singing again on "What It Feels Like." He also has an equally legendary Byron Stingily on "Hate Won't Change Me." Quentin, who has made a living in NYC as of late, is also known for his involvement in local HIV prevention initiatives among gay men of color.

Karizma: Back in September we were lucky to catch Karizma out at Prospect Park when he performed at Li'l Ray's Clubhouse Jamboree (check him drop the Johnny Dangerous mix of Jazmina's "Let the Rain Come Down" with her vocals gliding over Frankie Knuckle's all-time classic "Tears"). If Quentin Harris brings Detroit back, Karizma is all about the Baltimore house sound. You might have heard "4 the Love" before, now he's releasing a full album, "A Mind of Its Own" on r2 Records.

Peven Everett: Detroit, Baltimore, can Chicago be next? You already know how I feel about Peven Everett but, as we told you, following the success of "Stuck," Peven is set to release what will probably be his most successful production thanks to the push that Defected's Soul Heaven imprint will probably give his new full-length: "Power Soul" will be out in the UK next week as well (snippets of all songs available at that link). Can't wait for it!

Mr. V: Last but not least, wussup New York! So aparently Mr. V (representing Loisaida, as we Naw Yorkers call Manhattan's Lower East Side) has already released his "Welcome Home" album. Hm, so how come I can't find a CD copy anywhere in this city? Sounds like one big great party going by its first single "Da Bump" (produced by Alix Alvarez and featuring the groovilicious Ms. Patty) and a live performance of "Put Your Drink Down."