Showing posts with label ricky martin. Show all posts
Showing posts with label ricky martin. Show all posts

Monday, March 03, 2014

Transgressive or regressive? Jennifer Lopez and Ricky Martin hook up in latest Wisin music video


When two of the biggest Latino music stars in the world play lovers in a music video does the world pay notice? Particularly if one of the stars is known for a series of high-profile heterosexual relationships (Jennifer Lopez) and the other is known as the biggest Latino personality to have ever come out as being gay (Ricky Martin)?

That's the case in a video released today as the lead single from Puerto Rican singer Wisin's first solo album and titled "Adrenalina":


Wisin was able to pull this high-wattage stunt because he was part of one of the most successful reggaeton acts in the music industry over the last decade - Wisin & Yandel - and happened to be among the Latino music acts that supported Ricky Martin when he came out.

Ricky himself featured the duo in a cut from his first album after coming out called "Frio"...


That particular song also speaks of unrequited love from a man to a woman.

Both of these songs were launched as singles after Ricky's very prominent coming out in 2010 so they weren't necessarily covering up for his sexuality so the fact that he is still be considered to play up a heterosexual romantic role in videos like these might be transgressive in itself but it certainly stand out that Ricky has yet to release or participate in a music video that also highlights same-sex love.  I raised this issue previously when it came to one of the most beautiful songs on his last album and one of its most homoerotic as well "Tu y Yo" (Spanish language lyrics here),

And yet, last week in Chile at the Viña del Mar music festival Ricky didn't shy away from homoerotic play. Here is his performance of his hit "Shake Your Bom Bom"...


Full Viña performance here.


Also, woof!...


Thursday, June 27, 2013

Televised show jokes about using pesticide to exterminate "mariquitas" like Ricky Martin


Sometimes I am accused of being overtly sensitive about language which surprises me because I consider myself to be open to interpretation and context when it comes to usage of language that might be deemed homophobic. I also believe that tramping down on homophobic expressions or banning certain words does nothing to solve the underlying intent when someone uses such language.

This gets complicated when it comes to Latin America. Words that are considered to be homophobic slurs in one region might not hold the same connotation in another region. Take the word "playo" which is used in some areas of Central America to describe someone who is or appears to be gay in a derogatory way.

Outside the region people wouldn't even know what it means.

Or take the word "mariquita" which could be interpreted as the diminutive of "maricón" and akin to calling someone a "little faggot" except the word is also used as a noun for the insect known in the United States as a lady bug.

Both definitions enter into play in this clip aired on Panamanian national television in a comedy skit show called "La Cascara" ("The Banana Peel"). It's crass and not particularly funny and the punch line is particularly offensive.


In the skit two cartoon characters representing a narcissistic and self-involved wealthy Panamanian woman and her peasant caretaker find themselves transplanted to her vacation home in Miami where she introduces the caretaker to her Miami neighbors: Carlos and Ricky and their twins, a not so veiled reference to out pop star Ricky Martin and his family.

The "joke" hinges on the woman explaining to the caretaker that Miami is "inundated" with "mariquitas" (little fags) which the caretaker interprets as there being infested with lady bugs.  The show thinks it's hilarious to paint the caretaker as a dim idiot who inadvertently calls Ricky Martin a faggot to his face while explaining why he is spraying pesticide in Martin's face.

It's not the first time that the show has skirted bad taste and homophobia. In a different skit God asks a "good angel" to recommend ways to promote goodness and love between couples while "Lucifer" tries to trick the "good angel" into having God accept gays as being good and loving which is ultimately rejected.

I wouldn't have gotten wind of the show if it wasn't for Agustín Clément - a playwright and entertainer who is one of the few out personalities in Panamanian showbiz.

Agustín has often fought what sometimes seems a lonely battle against homophobia in Panamanian media and has been trying to draw attention to "La Cascara" and its homophobia for months with limited response.

He does have allies in the Panamanian LGBT advocacy organizations but their calls against homophobia are often just as easily dismissed.

Unlike the Gay and Lesbian Alliance Against Defamation (GLAAD) in the United States, there are no media watchdogs in the Latin American region able to support anti-homophobia efforts such as Agustín's.  GLAAD does have a Spanish-language media department but it's limited to the Spanish-language shows and publications produced and aired in the United States media market.

What Agustín has gotten in return for his advocacy is a public war of words with the producers and comedians involved with "La Cascara" and attacks from people who are fans of the popular show on Twitter and Facebook.

I found this clip to be particularly offensive so I offered to bring it to wider attention by adding translated subtitles and making people aware of what passes as comedy on this particular show.

If you have any ideas of how to support Agustín's efforts you can reach him through Twitter at @agusclement. Currently he is a morning anchor of the "Despierta Ya!" show on Bésame 91.3FM and produces and directs children's plays.

Reaction:
  • Meme (The Backlot)
Related: 

Sunday, February 10, 2013

Puerto Rican men give up Eagle Scout badges over Boy Scouts' discriminatory policies


Joining thousands of Boy Scouts in the United States who have turned in their merit badges and renounced their affiliation with the agency in protest of their discriminatory policies, three Puerto Rican men have followed suit and publicly renounced their Eagle Scout honors and badges.

In a statement addressed to the Puerto Rican chapter of the Boy Scouts of America and published today in El Vocero, the three former Boy Scouts - José Aníbal Herrero Acevedo, Juan Gabriel Marrero Delgado and Luis Salvador Herrero - urged the agency to change their ban on LGBT members.

My translation of their statement:
We have made the decision to renounce the Boy Scouts' highest honor to raise the alarm against an organization that refuses to accept members of the LGBT community as part of their membership. In Puerto Rico of the 21st century there is no room for intolerance, discrimination or homophobia and, as a result, we can no longer be part of an organization that promotes any of it.
Being a part of the Boy Scouts of America was a unique part of our lives and that's the reason we cannot simply stand with our arms crossed before an organization that has shut its doors to a significant part of the community.  We cannot continue wearing our Eagle Scout badges with pride unless the Boy Scouts eliminate their unjust policies and allow gays to openly participate in the organization.
The great experiences and memories of the time we spent in the troop last a lifetime and they must be available to everyone and not just a few. We call on other young Eagle Scouts from our troop and throughout Puerto Rico to join our efforts and to renounce their Eagle Scout rank until the Puerto Rican chapter of the Boy Scouts changes its discriminatory policy against the gay community.
The three men, currently in their 20's, were members of the same Guaynabo-based troop more than twenty years ago and have remained friends since then. Earlier today, Herrero took to Twitter to publicly announce their stand (in Spanish)...
Herrero also announced the launch of a Facebook page titled "No Discrimination in the Boy Scouts of Puerto Rico".

A certain someone preparing to fill a judge's seat in the Australian version of "The Voice" took notice. Ricky Martin thanked the three men in a tweet sent to his 8,000,000+ followers.
In October of 2012, the Georgia-based office of the national Boy Scouts of America released a public statement apologizing for 5,000 instances of sexual abuse committed against members of the Boy Scouts in Puerto Rico between the years of 1959 and 1988. The apology followed an Oregon court ruling that made the records public.

In July we took a look at the Boy Scouts in Latin America and their policy on LGBT members.  Surprisingly we only found out one Latin American country that banned gays from the Boy Scouts - Panama - and even they seemed to backtrack once the policy became public.

Related:

Thursday, January 24, 2013

The surprising connection between Ricky Martin and Orlando Cruz

Backstage, Evita: Steven A. Toledo, Pedro Julio Serrano, Ricky Martin and and Orlando Cruz (via Twitter)
With less than a week to go until his last performance as Ché in the current Broadway revival of "Evita", Ricky Martin welcomed some very special guests backstage at the Marquis Theater on Friday night.

In a photo tweeted after the performance Ricky has his arms around Steven A. Toledo and Pedro Julio Serrano on his right and boxer Orlando "El Fenómeno" Cruz on his left.

Ricky, of course, remains the top Latino celebrity to ever come out after declaring himself a "proud homosexual man" in 2010 while Orlando recently sent shock-waves through the boxing world after coming out in October of last year.  It made him the first professional boxer to ever come out while still competing in the sport and has deservedly earned him the cover of this month's The Advocate.

The two men also happen to be from Puerto Rico which brings us to long-time Puerto Rican LGBT-rights advocate Pedro Julio Serrano.

Months before Ricky came out, he surprised many when he released a statement in solidarity of a series of demonstrations asking the Puerto Rican government for justice in the brutal killing of a young gay man named Jorge Steven Lopez Mercado. The crime shook the island and I also believe it was also a catalyst for Ricky's decision to come out. And, indeed, one of the first things he did after telling the world he was gay was to reach out to one of the leaders behind the demonstrations: Pedro Julio.

The two have become friends and have met a few times since then. Ricky has also often used his powerful social media presence to support actions begun by Pedro Julio as well as defend him when Pedro Julio has come under attack from homophobic elements in the island.

Similarly, months before he announced he was gay, Orlando reached out to Pedro Julio for guidance on the possible reactions and repercussions of taking such a step.  In interview after interview Orlando has shown himself to be a thoughtful, extraordinary and exemplary gay role model. Just as if he had been out all his life.  And he often takes time to say he owes a great deal to Pedro Julio and the advice he provided.

For those of us who know, love and admire Pedro Julio and his soon-to-be husband Steven, we know that the admiration that Ricky and Orlando have expressed towards him is well-deserved.

It's a testament to Pedro Julio's work and the unexpected hearts he has touched during his lifetime and that's the reason I love this photo so much.

Saturday, November 19, 2011

Cuban exile group in Miami stages hilarious protest against Ricky Martin

Details are sketchy but a small group of Cuban exiles in Miami apparently held a protest against pop singer Ricky Martin for daring to take the role of "Che" in the new Broadway version of the play "Evita".

Once feared for instigating boycotts against any music band that dared to perform in Cuba or had any allegiances to Cuban-based artists, Vigilia Mambisa, as the group calls itself, has become a shadow of its former glory and has lost favor with newer Cuban-American generations who see them as out of touch with political realities.

Images captured at the event, which was held on Friday, November 11th, in the parking lot outside the Miami's American Airlines Arena, show a woman holding a sing that reads "Ricky Martin: Undesirable, not worthy of appreciation - Boycott". Signs on the steamroller read "Boycott Ricky Martin's music" and "Vigilia Mambisa - Freedom".

The same group has mounted similar protest against a number of music bands including Miguel Bosé, Juanes and Los Van Van. This is not even the first fictionalized "Che" they have boycotted. In 2008, they riled against the Steven Soderbergh movie about the life of Ernesto "Che" Guevara.

Ironically, according to Wikipedia, the character of "Che" in "Evita" was originally not even based on the Argentinean-born left wing revolutionary leader who helped Fidel Castro take over Cuba.  Apparently it was later that Harold Prince suggested that actors play the character as such when he joined production at a later stage in the play's development.

It's also not the only protest mounted against Ricky Martin in Miami in the last twelve months. On December 18th of last year, a group led by a Hispanic evangelical church stood outside Miami's Univision studios claiming that an interview with the pop idol that aired on November 2nd had been pornographic, indecent and obscene (it had been none of those things) and, of course, promoted the gay lifestyle.

Other than their target, the two protests apparently had something in common: Neither seemed to attract much attention or press.

Previews for "Evita" with Ricky Martin, Elena Roger and Michael Cerveris begin on Broadway on March 12th.

[Source]

Thursday, September 22, 2011

The Lisa M. Interview (English)


Last year few people noticed what I thought was a mini-trend: After a relative dearth in LGBT representation in the Latino music industry, several performers came out as gay or lesbian between the months of February and April (OK, maybe I was the only person who noticed).

The run-down: 1. First came former Menudo singer Angelo Garcia when he spoke to online site Paragon Men about being gay in February; 2. Then, in mid-March, came up-and-coming performer Rita Indiana who appeared on the red carpet with her partner Noeilla Quintero at the Dominican Republic's most important music awards ceremony;  3. Before the end of that month, Ricky Martin would use his official site to proclaim himself as a "proud homosexual" and, finally, in April, 4. Puerto Rican salsa and reggaeton singer Lisa M. decided to tell her followers on Facebook that she was a lesbian.

Both Angelo Garcia and Rita Indiana say they never really hid their sexual identity from anyone and that it was media who suddenly took an interest on their personal lives.  Ricky Martin and Lisa M., on the other hand, spent years building their successful careers in the Latino pop industry actively shaping a performing persona while assiduously avoiding talking about their personal lives.

Born Lisa Marrero Vázquez, Lisa M. probably had the biggest commercial success of her career as a salsa singer in the late 1990's with huge hits like "Tu Pum Pum" and "Menéalo".  But, artistically, she probably reached the professional high-point of her career with 2007's "Respect", a lavishly produced reggaeton album which also served as her last commercial release and contained the single "Hey Ladies".

On Friday, I had the opportunity to speak to Lisa on the phone from Puerto Rico.  In her first exclusive interview with an English-language venue - or an LGBT-venue for that matter - Lisa addressed her decision to come out on Facebook last year, her relative silence since then and her plans to release a brand new single and album late this year or in early 2012 (for the original Spanish-language version of this interview click here).

Blabbeando: It’s been a little more than a year since you decided to tell your followers on Facebook that you are a lesbian.  What made you decide to do it and did you feel scared at all when you finally came out?
Lisa M.: Well, look, when I actually did it, I was in Spain and, before that, I had already been thinking of coming out in public.  I wanted to come out, not because I had any specific purpose, but because that was the purpose… to come out.
At that moment, all the stuff about Ricky Martin had already surfaced.   Obviously, when Ricky takes something as delicate as his private life and decides to share it with his fans, with his family and with the rest of the world, it was something quite beautiful. And it’s not that I came out because he did it but, basically, it was a ‘wow’ moment for me.
As a fellow artist, I saw it as an incredibly beautiful moment and I felt it was the perfect moment to offer my support not only to him but also myself and other artists who truly want to live their lives freely. So I made the decision and I said ‘Look, I’ll write ‘I’m gay!’” And that’s what I did on my Facebook page.
I’ll be very honest. I posted it without knowing or thinking about any consequences or truly expecting it to get the reaction it got.  In other words, first I wrote “I’m gay!” - saying it like ‘Wow!’ - but I later I reaffirmed it by writing “I’m gay” – no exclamation point. That’s when…
Blabbeando: Yes, because the first time you posted it I imagine your followers didn’t know what to think about it, whether it was a joke or something else. But the second time you posted it - that’s when people reacted…
Lisa M.: Exactly, yes, the second time, when I reaffirmed it, well, everybody did react, writing stuff like “WHAT!? WHAT DID SHE SAY!? HOW!?”.  It was such a tremendous reaction that it made it to People en Español, it went all through the internet, all throughout media… All of Puerto Rico basically just fainted [laughs].
Yes, it was such a huge reaction that… I’ll be honest, the reaction to Ricky was ‘Damn, Ricky, we sorta knew it or imagined it already’, but he did have a reaction… but with me, being a woman and being Latina - and I’ll put this out in the open - well, it probably turned off some people, but the overall reaction was positive.  Thank God almighty it wasn’t something where I lacked people’s support.  On the contrary, the reaction was very positive and I received a lot of positive feedback.
People, a lot of people – and I’m saying this because it happened a lot during those first days, weeks and months – sent me messages. I received a lot of e-mail messages from women congratulating me, married women, who would say “Look, I am gay but I am married” and so, for me, it was a ‘Wow’ moment to realize so many people had taken umbrage in what I had said.
And I learned to take it more seriously each day and to give it more respect. Respect towards me, as a person, and towards the public… and so much respect towards the gay community, which has also given me so much support.
Blabbeando: The reaction was immediate but you were in Europe when it happened and pretty much unreachable for comment…
Lisa M.: Yes.  That’s the way I wanted it.  I wanted to feel a bit more prepared before being able to give a more public response to the media.  When I took the decision and saw the consequences, I told myself ‘This has reached another level, now it’s serious, it’s slipped from my hands and I will have to treat it respectfully and carefully.’
So I held media at bay a little bit but, yes, I can tell you that what took place with all the media was impressive.  From the start, when I gave an exclusive to an important radio show in Puerto Rico via telephone, and, of course, now that I have returned to Puerto Rico from Spain and have begun to address all media.  And, thank God, I have always enjoyed great respect from the press, now and at that moment, for which I am thankful.  They treated me very well and understood my point of view and my way of loving someone and they accepted it.
And let me tell you that today I feel it is so normal to talk about it and to watch Ricky and his boyfriend, his partner, at the award ceremonies, to see him be free and be able to express himself, his feelings, you know? It’s a beautiful thing.  And that is the same way I feel.
Blabbeando: I know you received some homophobic messages back in January but you seem to be saying it’s been the exception to the rule…
Lisa M.:. Yes…
Blabbeando: I also know you have worked with other reggaeton singers such as Tego Calderón.  It was also interesting for me to see that there didn’t seem to be any homophobic reactions from your peers.
Lisa M.: Yes, thank God, I’ve also had my peers come to me… and everyone has remained in their place, everybody has treated me with respect, everybody has accepted it well.
Look, Andrés, we are living during an era in the business where it really doesn’t matter who you are, you know? It’s all about what you can give. It’s as if people want a different life, a different way to share things, they want something more positive, they don’t want to tear an artist down or hurt them.
It’s my understanding that in the industry, right as of now, it is not a taboo, it’s not a barrier, it’s not an illness, it is not something that will hurt your fans.
Blabbeando: At the same time, there are female artists such as La India and Ivy Queen who have faced false rumors about their sexual identity and, in Ivy Queen’s case, even questions about her gender, just for presenting themselves as strong women. What do you think about those stereotypes?
Lisa M.: What has happens is that, obviously, we are stronger women thanks to what we have done as artists, based on our personality and the way we have handled our careers, you know? [We are] women with a stronger character… fighters. And being fighters makes us stronger, it makes us brave, and so we create that character, a warrior’s armor, from having to be up front as women. And then that strength is reflected in our songs, they way we interpret a song, the way we talk, how we dress, how we express ourselves, and that’s what people see.
Blabbeando: Now, throughout your career you have launched seven albums.  The last one, “Respect” (2007) was actually pretty great.  But I know you have been spending time in Europe and Spain and focusing more on a career as a club DJ under the name of DJ Miss M. Now, after spending these years in Spain, you’ve returned to the recording studio. Tell me a little bit about the latest stage in your professional life.
Lisa M.: Well, basically the “Respect” and “Respect (Deluxe)” record was my last album.  After that I embraced life as a DJ.  It’s been six years or so since I began to DJ but the last three years have seen my DJ career get stronger and my reputation as a DJ climb to higher levels. And being in Europe and living in Spain, well, I have positioned myself as one of the top female DJ’s in Barcelona and Ibiza.  There, I got tons of work and I’ll be back later this month to close the 2011 Space Ibiza season on September 24.
And, what can I tell you? Yes, it has been a really beautiful part of my life in which I have experienced the nightlife, being a dedicated DJ, without obviously abandoning who I am: A singer and an artist.  What I have done is that now, in the new stage, I am mixing up both things.  I am recording my new album. I am doing it in Puerto Rico and I am doing it in New York City and other places.  I want to do an album that reflects everything that is happening in my life, which is the nightlife, life at the dance clubs and lounges, the music ‘life-style’ as I call it.  It’s an album that reflects that vibe, now that I’m working as a DJ, that touches on electronic music – tech-house, techno, house, hip-hop – my new album fits somewhere along those lines.
As a DJ and producer – because obviously that determines a lot of the things that have gone into the album – that’s where I’m at.  And I am truly enjoying it a lot. I’m not getting much sleep, Andrés, but I know the end results are going to be very positive.
Blabbeando: So it’ll be a new sound, integrating old sounds but from a dance-club perspective…
Lisa M.: Exactly. That’s it. That’s it. And, as I’m telling you, using little things, old sounds but modern arrangements.  With really, really amazing… how should I say… now that I’m a DJ, which is the music genre in which I’m surrounding myself and considering the industry is changing so much…  perhaps in the way that Madonna has done since “Confessions on a Dance Floor”, or, later, when Black Eyed Peas came up with that electronic sound and mixed it up with hip-hop and R’n’B, and what’s happening right now and blasting off the radio like Jennifer Lopez and Pitbull… well, that’s the same vibe that is ruling the airwaves right now and that’s the same track I’ll be on pretty soon.
Blabbeando: Do you have a date for the launch of the new material?
Lisa M.: I’d say that before the year is over I’ll come out with a new single, at the very least.  I am pushing myself, working really hard to have it come out by year’s end as well as a video.
I’m not certain yet about a record label because I am truly working independently.  For the moment, I am producing the record myself and I do not have a recording label.  But I am so happy and working so well that I didn’t miss it during the recording process.
Nowadays the recording industry has changed so much that you can go and find an investor, do a video, tape a single, pace it, put it out there, kick it up there on YouTube, push it on Twitter, post it on Facebook, and forget about it! You do a couple of interviews and get some cameras to shoot the video and that has some impact.  And so, there you go [laughs]…
Yes. I know record companies are very good for other things.  Moneywise, as an artist, I cannot penetrate the market in the same way record companies do their promotion and handle the ‘business’ side. They go deeper. So we’ll see what happens. For now, production is running really well and, as I told you, we hope to have something out there before the end of the year.  Andrés, the record is coming out really great. I think it’ll be a totally different sound that doesn’t lose the essence of who I am.
Blabbeando: It sounds like you are in a stage of your life in which you are at great ease with yourself and happy…
Lisa M.: Yes, I am happy.  I have my partner, who is a beautiful girl who respects and admires me a lot and that also helps me to focus and commit myself and to have sufficient strength to say let’s go forward, let’s go.  And when you have someone who is so positive next to you it does help a lot, and that’s what’s been going on in my case.
And, yes, I am traveling a lot.  But once I get back to Puerto Rico on the 28th, look out! I’ll be immersed in what will become the new single.  There are several tracks ready, I imagine I’ll get some people together and let them listen, including the single.  And, yes, it’s a process, but at the same time I am enjoying it greatly.  Maybe sometimes I do feel exhausted but it is a stage in my life in which I feel much calmer and feel much more at ease with myself.
Blabbeando: Lastly, is there something I didn’t ask that you’d like to tell readers of Blabbeando?
Lisa M.: Well, let me thank you for the interview.  What I’m really wishing for is for the public and media to offer their support for my new project and I know that will be the case. I know I have earned the place where I am, thanks to God.  Whoever grants me their support, I know I am a pioneer in what I do and, thank God, the public has chosen to support me throughout my career.
I do hope I’ll have additional support when the new album comes out because the fans I have now are fans from before and after and they are still there.  But those of now, who don’t really know about me… their parents, unless and cousins do, but the new generation, those of now, I am truly hoping for the support of the new generations.  And I know I will because, musically, I am working with groups of professional musicians and producers who are at the level of the new generations. So we are doing good.
Blabbeando: Well, Lisa, that bring the interview to an end, I thank you so much.
Lisa M.: Sure thing, Andrés.  Thank you so much for the opportunity and for thinking about me.  What I’ll do is that when I get the single ready I’ll send it over so you can give me your feedback and we’ll keep in touch.
Blabbeando: Great. Hugs and thanks.

Wednesday, September 21, 2011

The Lisa M. Interview (Spanish)


Below the fold, you will find the original Spanish-language version of my exclusive interview with the lovely Puerto Rican superstar singer, DJ and music producer Lisa M. in which she reflects on her decision to come out as a lesbian on Facebook a year and a half ago and the repercussions since telling the world she is gay. Click here for the entire Spanish-language interview. For the English-language translation click here.

Friday, May 20, 2011

Guest Post: For this, and so much more, thank you Ricky Martin


PHOTO: Ricky Martin fan and queer poet and author extraordinaire Lorenzo Herrera y Lozano!

Last year, when Ricky Martin came out, I found myself searching for words to express just how monumental a step it had been for the Latino LGBT movement. I wasn't necessarily able to find my own words to describe my feelings but I did find an amazing blog post by my friend Lorenzo Herrera y Lozano on the subject, which I ran as a guest post ("Why Ricky Martin Matters", March 30, 2010 ).

A little more than a year after I featured that post, Lorenzo is back to explain how he felt when he had the chance to catch Ricky Martin's current 'M+A+S' music tour.  Cross-posted from his blog Hairspray & Fideo, here is Lorenzo's 2nd guest post on Blabbeando. Enjoy!
Ricky Martin's MAS Tour: Por esto, y tanto más, gracias. 
by Lorenzo Herrera y Lozano

I’ve made it pretty clear that I’m a huge Ricky Martin fan. I’ve been a lover of his music since the longhair days of “Fuego Contra Fuego.” In the early 90’s, I’d rush home to catch him as “Pablo” in Alcanzar una Estrella II, and Sundays I would be glued to the tv waiting for Ricky to make an appearance on Siempre en Domingo.

Years later, the very thought of Ricky’s music takes me back to my pre-teen years of crushes on boys in Secundaria, and the silence that stood between us. Having collected all of his albums and holding “Las Almas del Silencio” as his most artistic effort yet, I couldn’t help but (literally) jump out of bed when a cousin sent a text offering me tickets to Ricky’s MAS concert in San José.

After inviting and coordinating with a few friends, we were on the road from San Francisco to my hometown of San José. On the way, I played a number of Ricky’s songs ranging from “Dime Que Me Quieres,” stopping at the infamous “Livin’ la Vida Loca” crossover days, cruising through his tattooed reggaetón days of LIFE, and landing with the music video for “Lo Mejor de Mi Vida Eres Tú.” I was ready.

Although much of my time thinking and writing about Ricky this past year has been less about his music and more about his coming out and what it means for our communities, I wasn’t expecting anything overtly queer at the concert. Well, except for the sea of brown gay & bi men, of course.

As we arrived at the venue, I was happy to see my fellow jotos and patos representing with fierce rhinestone shirts and enough sharp eyebrows to cut a Luis Miguel fan. What I didn’t expect were the Christian protestors holding up the “Gay Sex is Sin” signs I’m used to seeing at Gay Pride.

I felt terrible thinking I had underestimated Ricky and that the Christians knew him better than I did. Never had I imagined a Ricky Martin concert would be worthy of warnings of a burning Sodom and Gomorra. The Christians did. And they were right.

Ricky’s MAS tour delivered on each letter of its acronym. He brought the música, he gave the alma, and baby, he delivered on the sexo.

I realize this is sacrilegious, but Ricky’s concert was gayer than any of the seven Juan Gabriel concerts I’ve been to. Yes, Juanga prances about, says things like “Si me caigo me cogen,” and has grown mustache-sporting men crying like Sanjaya’s preteen fan on American Idol. However, for all of Juan Gabriel’s beautiful femme fierceness and the lovemaking that goes on between him and his audience, it all remains masked under the clout of the unspeakable.

Ricky, on the other hand, left me speechless when he held one of his male dancer’s head as the dancer slid his hands down Ricky’s thighs. I’ve been gay long enough to know, that there is a gay move. And he didn’t stop there. The electrifying erotically sensual bi-gendered orgy-like performance that took place on a long sofa while he sang “I Am,” was enough to have the gays fanning ourselves and clutching our pearls (pay attention at 0:24 and on):


Still, for those who thought they had room to dismiss the (not-so)subtle sensual man-on-man moments in the concert, Ricky made the queerness explicit. In what reminded me of Madonna’s “Confessions” moment in the Confessions Tour, one of Ricky’s dancers performed solo as his coming out experience was narrated overhead. Beginning with the struggles of growing up with a father who insisted he learn to box and arriving with his libratory moment of discovering his love for dance and his revelation as a gay man. The screaming of the crowd erased all remaining ambiguity: This was a queer Latino concert.

Topping off what was a surprisingly gay and expectedly delicious concert, was Ricky’s encore performance of “Lo Mejor de Mi Vida Eres Tú.” The feel-good song that brought us the queer and different-affirming video, was brought to a close by Ricky offering the following words:

“Lo único que necesitamos en este momento son los mismos derechos para todo el mundo. Lo único que queremos es igualdad, ni más ni menos… I’m talking about equality, ladies and gentlemen, not more, not less, just equality.”


Now all you bitter gays who dismissed Ricky Martin’s coming out as inconsequential and cowardly too late, imagine an arena of Latinas and Latinos, many of whom speak Spanish as their primary (perhaps only) language, applauding an openly gay, culturally rooted and historically present artist delivering words that many queer Latino men like myself could never say to our own families.

Early on, I saw Ricky Martin’s coming out as an important opportunity for queer boys in the U.S. and Latino América who, in their isolation, would now have the opportunity to bear witness to a Latin superstar move openly in his public’s eyes as gay. Months after his coming out, I hailed Ricky’s appearance on the front cover of People en Español’s Father’s Day issue as an important historical moment for our communities. With a readership of 6.4 million people, Ricky, with his two children (Valentino and Matteo) in arms, would be on Supermercado stands and coffee tables across the country.

And yet, it took Christian protestors to make me realize that even I, in all my pro-Ricky arguments, had underestimated just how important he has become. I only hope that in the future I am not blindsided by my own limited capacity to imagine what Ricky Martin has in store for the future.

As the poet, Marvin K. White, recently said, “As with Don Lemmon, Ricky Martin is one of the few who came out with his ethnicity intact.”

Por esto, y tanto más, Ricky, gracias.
Related:
Previously:

Thursday, April 28, 2011

Ricky Martin's new video: Más

Ricky Martin has released a video for the second single from his album "Musica + Amor + Sexo" titled "Más".  It was taped in San Juan, Puerto Rico, on the opening weekend of his current tour and directed by Colombian film director Simon Brand who has previously directed videos for Shakira, Paulina Rubio and Jessica Simpson.  Not that it captures much more than the live experience, little neon crosses here and there, with a few male and female of models embedded in the crowd.  Martin, who recently came out, is preparing to release English-language versions of the song.'

Interestingly "Tu y Yo", my favorite song on the new album - which happens to be the most unapologetic homoerotic track - is not among the songs performed in the new tour and, as far as I know, is also not set to be released as a future single.

With that in mind, here is the official video for the Spanish version of "Más"...

Monday, March 14, 2011

Jennifer Lopez: It's OK to be out in the Latino music industry (EXCLUSIVE)


I don't do many interviews on this blog. I'm not sure why. Perhaps it's because I get pitched so many promotional interview opportunities that have little if anything to do with this blog. Perhaps it's because I haven't mastered the art of interviewing. But when the chance came my way to interview the amazing Jennifer Lopez how could I say no?  Her handlers said she wanted to reach out directly to her Latino LGBT fans through this blog and I was thrilled.

Unexpectedly, I got all nervous and stuff. I'd heard La Lopez was a tough interview to do, that she was furiously protective of her privacy and short on answers. So I prepared a long laundry list of 'Yes' or 'No' questions and hoped they'd would be enough for the 10 minute interview.

Turns out I signed up for a whole different interview than I expected and didn't get to ask all the questions I had prepared.  Jennifer was gracious, open and sweet.  What follows is the transcript of our conversation.

BLABBEANDO – Hi Jennifer! This is Andrés Duque from a blog called Blabbeando.
JENNIFER LOPEZ – Hi, how are you…
BLABBEANDO – I’m good. I wanted to introduce myself: I write a blog about the Latino lesbian, gay, bisexual and transgender community – and I’m a huge fan so I really wanted to thank you for taking this call.
JENNIFER LOPEZ – Absolutely! Thank you for having me.
BLABBEANDO – First of all, as a huge fan, I’m hating you right now because you put the 'Lambada' back in my brain after all these years [JL laughs]. And also, over the weekend, I couldn’t stop saying 'Let me introduce you... to my party people' [JL laughs again]. And I wanted to ask you how do you feel about the impact the song is having this week and how you came along to release it as a single [Currently "On the Floor" is the #1 song and #1 video on I-Tunes].


JENNIFER LOPEZ – What it means? First of all, it’s amazing. I feel totally overwhelmed. It’s not the type of thing like asking people who have been in the business for a while and they’re like “Oh-kay, my record’s out.”
It never gets old when it hits, it’s like ‘YES!’ People like it! I love it! I love it! You know, because you have to believe in your music so when other people get it it’s just awesome. It’s just amazing.
BLABBEANDO – And you’re really busy right now, with "American Idol", so it must be difficult to stop and sit back and enjoy the moment. But, are you enjoying the moment?
JENNIFER LOPEZ – I am. I am. That’s probably what’s different about this album and this time in my life than it was for this album - and my first few albums, I should say. You know, it’s that I’m actually more in the moment now. I’m more mature now and smart enough to not miss it [laughs]. You know what I mean? This is amazing, this is great and I want to really, really want to be present for this whole thing. I’m just… really, I’m enjoying it.
I’m enjoying doing “Idol”. We are having a great time. We are having a lot of fun. I’ve enjoyed that process. I find it a very creative process. Back and forth between the contestants and us. And what we can share with them from what we know being in the business for a long time. And I love that.
And the record being out right now at the same time, and that all working, that wasn’t planned per se? I knew I was gonna put out and album this year but I didn’t know when. It worked out. It worked out great and it’s all just working together and it just feels really great. I feel really fortunate, really lucky right now, Andrés.
BLABBEANDO – Now, I know that there was a change when it comes to record companies. Was there a point where the album almost didn’t see the light of day? Because that must have been frustrating, working on an album and having it almost not come out on the market.
JENNIFER LOPEZ – Yeah. That wasn’t the case. The case was that I had come to the end of my contract and I had to decide whether or not to stay with SONY or not stay with SONY and I felt… and I went to SONY and asked them if I could move on.
And they - at that point in time - with the transitions going on within the old company, understood. And I had a good enough relationship with them from having some much success – I had done seven albums over there – that they understood me wanting to do that and, like I said, there were transitions going on. They weren’t prepared to do what they needed to do for me and that album at that time. It was really a mutual ‘Yeah, maybe this is the best thing,’ and we decided to part ways.
And I know people want to make more of it than that. That I was dropped or SONY was messing up. They want to make this really big thing about it. But it really was a conversation between me and one person at the company going ‘I think it’s just time, we’ve run our course and let’s find a new home’ and that’s what happened.
I knew that there were places that I could go and who wanted to work with me, and new fresh blood where I could go to and it happened smoothly and quickly.
BLABBEANDO – Now, the ‘fresh blood’, you’re singing with Pitbull and you have new collaborators and you seem always keep up with the latest [music] styles. And it really sounds fresh. I loved – I can’t even pronounce it but – “Loubutins” and I love “On the Floor” and you’re gearing these songs to a dance music [crowd] and, to some degree to the gay community, because we love dance music. And I think you’ve been really smart in the past to use some of the best dance producers and remixers. Talk to me about how you came to work with Pitbull and what other people you are collaborating vocally in the new album.


JENNIFER LOPEZ – For me, when I go to do my music, there’s always gonna be a mix of all the things that I am. I’m a Puerto Rican girl from the Bronx. You know what I mean? And here’s always gonna be a mix of dance and urban in my stuff – and pop music - so once you throw all that stuff into the bag then it’s all about me just being myself.
So whenever I work with different producers – I worked with RedOne on a lot of the tracks in the album – and with him it was like ‘Let’s do some great dance tracks’. When I worked with Tricky and Dream, I went to them and I said ‘Let’s do my kind of more urbany-feel pop-record’ and I go to different producers for different things – but it all has to be very ‘me’.
It doesn’t work with every single producer you go in there with, you know what I mean? [laughs]. You go in there and nothing happens. But sometimes, like with RedOne or Tricky and Dream you go in there and in a week you make five, six, seven records. And with the records that actually worked, that are in the album – a lot of Tricky and Dream, a lot of RedOne – those are the ones that you have a lot of chemistry with.
BLABBEANDO - I also wanted to ask you, because in the past you’ve been a professional friend and a personal friend… Last year there was actually a number of people in the Latino music industry that came out as being gay or lesbian, and they include, of course, Ricky Martin but also Angelo Garcia, who was also a former Menudo, Lisa M who did salsa way back in Puerto Rico and now is doing reggateon, and Rita Indiana who is a tremendous up-and-coming talent from the Dominican Republic. So you have all these performers – mostly from the Caribbean – Puerto Rico and the Dominican Republic – coming out. I wanted to know how you felt about Ricky’s tremendous step to come out as well as what the moment means in terms of… is the Latino music industry changing and making it safe for people to say who they are?
JENNIFER LOPEZ – Right. Are you asking me if I think it’s safer now?
BLABBEANDO – Yes.
JENNIFER LOPEZ – I just think it’s a reflection of the real world we live in. And it’s OK to be out. I do think it is. I do think it’s acceptable for people to be who they are. I am a huge advocate of that. In that sense, that’s the only way we can truly love ourselves, it’s by accepting who we are and letting everybody know who we are.
So, I’m very proud – you know – I’m friends with Ricky and I’m very proud of him and support him in everything he does. And all these people who have been... who want to step forward and tell the world who they are… I think that’s awesome.
BLABBEANDO – I also know you’ve been a longtime ally. You’ve always kept the gay community in mind in terms of the music you release and I know you know we are some of your biggest fans so…
JENNIFER LOPEZ – Absolutely…
BLABBEANDO - …I personally wanted to thank you for that as well.
JENNIFER LOPEZ – Absolutely. I mean, I had an aunt who was gay. I grew up with it. It’s just to me, being around dancers my whole life, you know? There’s a lot of dancers as well who are gay and it’s just not… For me it was never even anything as an issue. I had uncles… It was just seeing people were people. And it wasn’t one way or the other for me.
BLABBEANDO – That’s right. I think sometimes we – in the Latino community – we are your brothers, your sisters, etcetera, etcetera, we are part of the family. It’s more open than I think people give it credit for, at least in the Latino community.
JENNIFER LOPEZ – Right.
BLABBEANDO - Now, going back to the album: What’s the next single? Have you decided on that? Will there be different singles released to the Latino market and the American market?
JENNIFER LOPEZ – Well, we have a lot of plans for the album as things go along. We have three different choices that we can do as a second single and it’s really hard for us to choose. We think we know what we are doing and then at the last minute we might change it [laughs]. But we are shooting a video very soon with Li’l Wayne on one song called “I’m Into You” but there’s another song called “Papi” and there’s another song called “Run the World”. So there are a few songs that we are thinking about as a second single. And we might release some simultaneously: Some are more urban, some are more dance. And, also, we are releasing very soon – or if it’s not released already, I don’t even know if it happened in the past day or two – the Spanish version of “On the Floor”…
BLABBEANDO – That’s great…
JENNIFER LOPEZ – Pitbull did a new version of his rap in Spanish and I re-sang the whole thing in Spanish as well. We are gonna do a Spanglish version where we mix in the Spanish. And then we are probably gonna do a whole Spanish version of the album. So – We have a lot of plans for it.
BLABBEANDO – Well, I know my ten minutes are up but I really wanted to thank you for taking my call.
JENNIFER LOPEZ – Thank you, Andrés, I really appreciate it so much.

Related:

Thursday, February 10, 2011

Straight Mexican singer releases gay-themed album

The stunt isn't new.  There has been more than a few heterosexual singers who have sang about gay love or dedicated a song to their gay fans.

The most recent example I can remember is Keisha saying somewhat nonsensically that her recent single "We R Who We R" is about bullied gay teens (er, huh?).

The practice is also surprisingly prevalent in Latin America, particularly with formerly popular singers on the declining end of their careers who know their gay fans are among the most devoted, as well as the most willing to still buy their albums or live show tickets.

Granada Entertainment, for example, has made a big business out of handling appearances by many of these former pop idols at different Latino gay bar venues throughout the United States. Which is all good. I mean, if it works for Kylie Minogue, why shouldn't it work for others?

This week brought the latest two examples...

Pimpinela: Huge in the 1980's, Argentinean duo Pimpinela were known for overly-dramatic, incredibly cheesy call-and-response songs depicting lovers in crisis. Usually, the scenario was that of a woman cheated upon angrily telling her husband off - and the husband asking for forgiveness - as in "Olvidame y Pega Vuelta" (they also turn the tables sometimes as in "Ese Estupido Que Llama").

And here is the kicker: The duo that makes up Pimpinela are actually a sister and a brother.  Which seems icky enough but didn't seem to hurt them at all back on their heyday.

Jump 25 years later and - who knew? - Pimpinela are still around! They are also dedicating a remix of one of their songs to the gays, allowing fans to download it for free from their official site.

Joaquín Galán, the lead male singer, says: "I wrote the original song ['Primero Yo'] thinking about the modern couple, in which I feel the woman is the great protagonist of change and men are only discrete companions.  The remix ['Tengo Derecho a Ser Feliz'] is more open, it's a chant to freedom, to self-determination, and the spark, perhaps, was the approval of equal rights for homosexuals in Argentina".

The remix has a vague Erasure-ish beat to it. No, it doesn't make it any better or less cringe-worthy than it actually is.

Gualberto Castro: What kind of name is Gualberto? And, perhaps more importantly, Gualberto who?

Well, after today, that really won't matter because Gualberto Castro has made history: As far as I am aware, the 60+ year old Mexican singer is the only straight performer to release a full album of gay-related songs since music was invented!

From my spotty research, Gualberto shot to the top of the charts in 1973 when he won the OTI international music festival with "La Felicidad". Yes. 1973.

On Tuesday, Gualberto came back full-force: Speaking to Mexican paper La Jornada, the singer said he was about to release a 12-track album called "Coming Out of the Closet" in which he says he interprets "beautiful songs that dignify the gays".

Gualberto to La Jornada:
The concept of the album came to me because the issue of homosexuality is very polemic nowadays.  There are advances; for many it's normal to see two persons of the same gender hugging and kissing each other, which did not happen many years ago. They have been attacked a lot and issues have been raised about their right to adopt of get married; that's why this record is a gift and a tribute to gays and lesbians.

I am heterosexual but I recognize and support their rights.  It's an aberration that they should be attacked; society should accept homosexuality as normal, because they are born with that preference, they do not ask to have it. Simply said, that's it. Homosexuality is a part of being human. There we have Ricky Martin, who revealed he was homosexual to the point he felt liberated, and, just like him, there are many others.
I have no idea what the album sounds like or whether it's any good. But there is one thing for certain: Gualberto, who now makes a living in Las Vegas, says that he will be receiving a placard at the Walk of Stars just outside the MGM Hotel, at a ceremony to be held on February 24th in honor of his contribution to the music industry.

As for those of you who doubt whether Gualberto has kept up with the times: The hottest thing in Mexican music is narco-corridas and norteñas which play up the macho factor as well as the drug trade violence that has unfortunately taken over areas of the country.  Surprisingly, it might have been exactly the type of music where Gualberto might have found the inspiration to sing about the gays.

Don't believe me? Go straight to the following jaw-dropping NSFW video for Gualberto Castro's "Tengo a las Dos":

Toupée or no toupée, there are simply no words to describe the wrongness and fabulousness of this clip. I hope his new album is just as classy.

Thursday, February 03, 2011

Yeah, but is it good? (Ricky Martin's 'Música + Alma + Sexo')


Ricky Martin might have gotten props for sidestepping the publicity machine and going straight to the public when he confessed he was gay on Twitter back in March but he's been on one serious publicity-fueled tear since October when he appeared on Oprah and launched his autobiography "Me".

He has greatly benefited from turning on his formidable publicity skills and charisma since coming out.  His book reached the top 5 on The New York Times best-selling lists and "Música + Alma + Sexo" - his first album since 2005 - hit the stores on Tuesday in regular and deluxe versions to considerable advance interest, particularly in Latino music markets.

It all crested last week with a press junket that Martin held last week in advance of the album's release as well as a number of telephone interviews the singer held with a number of reporters from Latin America.

As revelatory as he swore his autobiography would be, in most of these interviews Martin comes off just as carefully guarded about his private life as he does in the book. That said, some of the reporters manage to get past the publicity veneer and get some revealing answers from the pop star.

Pablo Schanton of Argentina's Clarín gets to the heart of the matter.  Catching Martin unguarded as he's telling his publicist to follow-up on a transgender (!) reporter who's leaving the Miami hotel room after finishing interviewing the star, the singer apologizes.

"Pardon me, part of my job is taking care of every detail; The demanding military soldier I carry within me since the times of Menudo is almost like Catholicism, isn't it?  Once you are a Catholic you always will be one," Martin laughs, "I continue to demand a lot from myself - it's part of my personality and I see it as a defect - but the obsessive-compulsive in me has helped me to reach a lot of things."

Simón Villamizar from Venezuela's El Universal presses Martin on his lack of transparency on an autobiography in which the singer promised to talk openly about his life in what must have been an uncomfortable exchange.

"First of all, for me this is not a book of confessions," Martin says "This is a book in which I am sharing steps in my life which I feel were very important and led me to the conclusions that make me who I am today; my life cannot be narrated in 300 pages."

Speaking to Leila Cobo of Billboard, Martin reveals that coming out on Twitter actually took months of deliberation.

"I spent many months figuring out the best way to do it. I thought it could be a song, or an interview, or in the book," he says, "But I couldn't wait eight more months. I needed to do this, now. Several months before I pressed send, there was a hate crime in Puerto Rico against a gay boy. And at the time, if I had spoken out, people would have started conjecturing."

He adds "There are moments of great tension in the book because I was living under great tension. And one Friday, I called my manager and said, I'm doing this on Monday. I spent the entire weekend drafting that letter. And when I sent it, I felt such a relief, such peace and joy. I thought, My God, had I known, I would have done this 10 years ago."

But, what about the album?

In that same Billboard interview, Martin reveals 60 songs were written for the album, 10 of which survived (11 if you include an extra song on the deluxe edition).  All in all there are 13 tracks on the regular version (including English language versions of a couple of songs as well as a remix) and seven additional tracks on a separate disc in the deluxe version (including English versions of another two songs from the album, a couple of remixes and the aforementioned extra track).

Also on Billboard, Ricky Martin describes the album track by track with one notable exception, "Basta Ya", which sounds like the most personal song on the album.


Lyrics for "Basta Ya" / "Enough":
Getting closer to the truth / I'm seeking the way to tell the world what I can no longer keep silent / I let a tear escape / From this prison where emotions are punished without pity / Against everything, I will be with you /

CHORUS: Enough! Of imprisoning what I feel / And denying myself what I want / Enough! Of condemning the voice I carry inside / And faking my sincerity / Fear no longer scares me / Enough!

Reason awakened me / The words I kept in silence got tired of waiting / This is were my revolution starts / In my hand I carry the flag that will defend the heart / Against everything, I will be with you / CHORUS

From now on, I will be loyal to myself / I will erase the pain / In the story of my life, each line screams 'Enough!' / CHORUS
It's a beautiful ballad and defines the album pretty well: Lyrics that speak to Martin's recent coming out without being too specific about it.  Inspirational lyrics that fit some songs well ("Cántame tu Vida") but nearly sink others ("Shine").  And a pristine production by Desmond Child, who produced Martin's biggest English-language hit "Living La Vida Loca".

The biggest surprise here is that, aside for a couple of tracks presented in Spanish and English-language versions, most of the album is in Spanish.  It makes sense, considering that Martin is more popular in Latin America than in the United States at this stage in his career, but I always thought the album would feature mostly English-language songs.  And, while there is nothing in "Música + Alma + Sexo" as immediately catchy or kitschy as "Living La Vida Loca", the album seems more consistently engaging than any of his previous albums.

There are a couple of outstanding tracks, the dance clubby "No Te Miento" and "Más" and the seriously sexy and beautiful ballad "Tú y Yo".


Reviews have been mostly positive but not necessarily spectacular: "As always, he enlists songwriters with an almost virtuoso ability to materialize memorable hooks out of thin air," says Los Angeles Times. "Exactly what we needed and enough to prove that he’s still a viable pop star" says the Houston Chronicle. "The album pours on pop craftsmanship in a show of confidence and pride," says The New York Times.

That sounds just about right.  It's not the greatest album ever released in the history of music. But, as a pure pop confection, it's pretty damn good.  By the way, you can listen to the whole album by clicking here.

Related:
Previously: